The horse is dead. Long live the horse.

Tuesday, May 29, 2007

Swoon

zeSwoon

So there I was. Seated. Slice of pizza drooping flimsily from the grasp of my right hand. Table and cloth gripped manically in my left. And the world itself tilting at odd angles as my breath and heartrate quickened. I was passing out. And fighting it the whole way.

How did I arrive at this state? Let's turn back the clock.

Feeling the need to be filled, the desire to hunger and thirst no more, we decided a fat Chicago-style pizza and the associated tasty beverages would do the trick nicely. So we headed off to Selma's, a local eatery of pizzaed goodness. It's not the best pizza in the world, but they've got tasty hot wings and equally tasty beverages (actually the wings were better in the old days when Johnny T and I would visit, back when they made 'em really hot—"hot enough to burn your culo," we were told). And all-in-all, their pizza still tastes a lifetime better than something lo-ball like Pizza Hut or Papa John's (or good taste forefend, Domino's or Little Caesar's). So then, we arrived, took our seats, and placed an order.

"Small pizza, please. Andouille sausage. Mushrooms. Annnnnd, how 'bout some chopped bacon? Thanks. Oh! And no tomoato, please!"

These Chicago-style joints, you've really got to keep an eye out. They adore their tomatoes. If you don't specify "No tomato!" they'll drown your pizz in the fruit.

So, about thirty minutes pass. Friday nights are busy. At last our pizza comes. And it is slathered in tomatoes. I can barely see the pizza beneath the Red Menace. I'm actually exagerrating here, but due to the extreme distaste I harbour toward the fruit, I might as well be telling the deep, honest kind of truth that proves the foundations of the world and sets babies free. The thing was disgusting to look at. So I mentioned this. That I asked for no tomoatoes and that this pizza was clearly in breach of my original instructions (instructions that had been confidently rehearsed to me by our waitress after our initial encounter at which point she took my order).

So she took it back and we waited again. Though not for long. She came back in about seven-to-ten minutes with a new pizza. Or so we thought.

Now as an interjector here, those who haven't ever worked in a pizzaria might not be aware of the fact that a pizza only takes about seven minutes to cook if given priority and the right kind of oven. So it was entirely possible that this new pizza was truly a new pizza and not just a pizza that had been taken into the back where the cooks would pick out the tomato pieces by hand and try to pawn it off as a fresh pizza.

Alas, luck was not with us that night. As the waitress dished out slices for us to enjoy, I watched a fat, cubed chunk of tomato tumble back into the pan.

"Huh. How'd that get there?" she wondered fatalistically.

Hoping against hope that the errant tomato bit I had just witnessed was merely a fluke, I began eating my slice. My slice that was overwhelmed by tomato bits that had been overlooked by put-upon cooks. The taste crept into every crevace of my conscious state. I was overcome. And so we find my in the state with which we had begun.

It should be evident by now that I am no fan of the tomato. What may or may not have been conveyed is the fact that so dire is my reaction to the fruit that I either immediately begin to gag and retch or I show a remarkable propensity for feinting. Honestly, I'd never quite had this reaction before, but, evidently, feinting from tomato overdose (i.e., biting a tomato) is my thing.

After my tomato-filled bite, I began to feel at odds with the world around me. The evening sky became oppressive in its cloying warmth. My heart began to race like greyhounds chasing a beleaguered, facsimile rabbit. And so, the tilting began.

My eyes spun like orbiting planets in my head. I held on to the last piece of stability in this tomato-shredded world, the table at which I was seated, with a ferocity at which even Norse gods would marvel—only to watch it melt from between my fingers. There was no longer any sense to the world. Reality had collapsed upon itself and I was going down with the ship.

Yet still I fought.

In the end, I did not faint. I fought unconsciousness for long minutes before I was certain that I would remain upright and, quote-unquote, alert. Though grateful that I did not pass out, sprawling headfirst into the remaining pizza, The Monk admitted a certain sorrow that the story of me fainting from fear of a tomato could not be told. Happily, I think the tale of my near-swoon is nearly as remarkable.

The lesson is this: I'm like a princess confronting a pea when it comes to slipping tomatoes into my food.

as a post script to this tale:
Amusingly enough, when our waitress returned, I expressed through a sickened haze: "You guys just took the pizza into the back and picked out the tomatoes. There's still a ton of tomato bits in here and it totally tastes like tomatoes." Her response? "Well, sorry sir. I'm not sure what else we could do." And then she left. The end.

note: i am on vacation until 2 June 2007, so while there will be posting this week, commenting will be sporadic.

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Monday, May 28, 2007

Shame

It makes me want to cry a little...

I have new heroes. Even neglecting the fact that the last two years have proven me a miserable movie buff, these ladies would have put me to shame at even the height of my addictive use of the cinema.

LADY #1: What was the name of the movie?

LADY #2: Which movie?

LADY #1: The one we haven't seen.

LADY #2: Oh, I don't know.

They're trying hard to remember the name of the film that's escaped their attention up to this point. And they fail. The first lady has this innate feeling that her task of seeing everything is left undone and so-rendered disquieted, she inquires of her like - another cinephile. Her companion responds with a bafflement, having been sundered completely of her self-possesion by the hint that there might be a film left unseen.

They shame me and my pitiful lists.

note: i am on vacation until 2 June 2007, so while there will be posting this week, commenting will be sporadic.

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Friday, May 25, 2007

Just Love Me. Please?

I Hate Scrabble BTW

So I have this dilemma thing. Over the past year or two, I've paid an increased attention to the complaints against the fairly-plain, sexist nature of comic book fiction. Things in the realm of comics (and especially in the genres of superhero fiction and many of the genres native to Japanese manga) are a bit antique. Every month, there seems to be a fresh target upon which to vent one's righteous indignation against the indignities disproportionately bestowed upon the female character. There are entire sites devoted to women's issues in comics (with most that I've seen focusing on the ins and outs of the American mainstream affairs). The main point, however, is that things are not great.

Which puts many female comic readers on edge, looking out for these breaches of egalitarian principle.

Which is where my dilemma comes in. The graphic novel on which I've been working since November features a female as the lead. I think she's a pretty good character and engaging. Strong in some areas, greatly flawed in others. Kinda like real people. Or so I intend.

The problem is that in delving into this feminist subculture of the comics subculture, I get the feeling that no matter what I write, I can't win. Along with all the good critique I've read, I've also been pretty taken aback at some of the grossly inadequate critique out there. For every feminist out there who's giving things a fair evaluation, there are those who operate on assumption rather than evidence—tarring, feathering, and dismissing with a description that becomes so common that it begins to lose all strength: misogyny.

What worries me is not the reasonable critics. It's the ones who don't need to be reasonable. One of the dangers in taking on the identity of a critic is that one tends to feel the need to find error so deeply that one is not satisfied if error is not found. I see this all the time with burgeoning young proofreaders and editors (yes, part of my skillset is that of a master editor!*). After a few weeks of proofreading and editing, they become so anxious to find mistakes that they begin seeing them everywhere. Even things that are not mistakes. When they become especially attached to their role, it often takes some fierce discussion to convince them that they are not seeing what they imagine they are seeing. I'm gathering that a portion of the feminist (note: not female) comic-blogging atmosphere is suffering from such a malady.

For every honest appraisal of sexism in comics, we're getting hit with over-reactions and presumptions. Or maybe that ratio's off. Maybe it's 3 reactions :: 1 overreaction? Or 1 reaction :: 2 overreactions? Or 10 reactions :: 3 overreactions? I don't know. What I do know is that its dangerous to put out a book in this kind of environment.

What I mean when I say "this kind of environment" is a charged environment. Feminist momentum in the realm of comics-blogging is picking up. And as that momentum picks up, the sightings of Jesus in a tortilla will be picking up as well. Things that deserve ire will garner it—but what about the innocent stuff that gets caught in the sweep?

I'm essentially the poster-child for American privilege. I'm white, male, Protestant, blond-haired, blue-eyed, not fat, and I grew up in Laguna Beach. The only count in my favour is that I didn't grow up rich (as my father was an artist—and not one of the $2500-per-work kinds either). I've got all the marks against me that screams: "How can you write a ____ character? You don't know what it's like to be me! You've never endured the struggle or prejudice that I have!" And it's true. My struggles have nothing to do with speaking English as a second language, being discriminated against because of the colour of my skin, being dismissed because I don't have a Y chromosome, or being hated/feared because my sexuality deviates from norm.

All the same, I like stories—and think I have one worth telling. One about a woman.

After having written it, I'm worried that I will be perceived as misogynistic Not by the reasonable—I have no fear of my acquittal on their part. But it's the ones looking for trouble that worry me. One of the things that makes the reception of a creative work such a dicey proposition is that I see some feminists praising a specific instance in a book while other feminists revile the same instance. And both groups cite their feminism as the basis for their decision to praise or revile.

Colour me baffled.

Really, it shouldn't surprise me, as people constantly cite ideology as the fuel for their evaluations. I knew people who voted for Bush because they were Christians and couldn't, in good conscience, vote any other way. I knew people who would not vote for Bush because they were Christians and couldn't, in good conscience, support his presidency. I know I shouldn't fear this dynamic, but ideologies are powerful (and often unpredictable) things. And this book is dear to me and I don't want to see it sacrificed to thoughtlessness.

I count myself fortunate that I'm just in the first year of a four-year project and that the climate may have been entirely mellowed and resolved by the time I'm ready to present my story. But if its the same? Or worse? How can a creator win?

I don't believe there is anything in my book that should offend readers to the point that the story is tainted. I do believe that some will be offended and the story ruined for them. I did my best to craft not just a believable woman (which would be inadequate) but to craft a believable person. Bad things happen and she doesn't come out completely rosey. I think a good feminist/humanist/what-have-you could read my story and be satisfied that I did a good job with what she's looking for. I guess the current climate just worries me is all.


*note: don't take my blog writing as evidence that I'm a bad proofer, everything on this site is first drafted and though it could use a good proofing, I'll save that for my serious writing.


Some resources discussing women in comics:

  • When Fangirls Attack - hand-edited aggregation of articles on women in comics
  • Pretty, Fizzy Paradise - posts on comics by Kalinara
  • The Beat - sociology-tagged posts from The Beat
  • Comics Worth Reading - Johanna Draper Carlson reviews comics
  • Written Worlds - posts on comics by Ragnell
  • Girls Read Comics (And They're Pissed - Karen Healy is angry

  • and...
  • Some of my own musings on related matters
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    Thursday, May 24, 2007

    Hurdles

    Funny, I Don't Feel Like a Horse

    After taking a couple months off after finishing my script, I thought it was about time to start getting more serious about beginning the art for the book. So I thought I'd doodle around a bit, maybe start sketching to get the drawing side of my brain back into gear. One problem though.

    My thumb.

    Remember how last September I tore the tendon in my right thumb? Remember how it looked all swollen and knobby even months later? Well, it still looks about the same. And while about 90% of its mobility and about 70% of its strength have returned (I still can't release a tightly set emergency brake), stamina is severely lacking. Friday night I doodled up a lady drinking coffee, whittling away an hour at the local Starbucks, and by the end of that hour I wanted to cry from pain. My hand was on fire. Monday night, I decided to write up a four to six page scene to add into the script at about the 2/3 point. I didn't have a laptop handy so I just began printing the scene by hand in my sketchbook. Within an hour, I wanted to die.

    This is a real obstacle for me. If this doesn't heal up, I may have to abandon trying to do the art myself. Or just turn the book into a ten-year project. As it is, I'm expecting to work maybe eight hours per page. For a 300-page book, that's a lot of hours. If I can only work an hour at a time on the art, I'm sunk.

    I'm going to see about getting some physical therapy. Losing my drawing hand would be a tragedy for me. I'm not sure what the lesson is here:

    Don't do things for others as you'll only get hurt in the end?

    ...or maybe...

    Don't slip and fall while playing ultimate frisbee with juniour high students as you'll probably just ruin your thumb?

    Well, here's a doodle to pacify you:

    Joann drinks coffee

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    Wednesday, May 23, 2007

    The Parking Challenge

    The Parking Challenge

    You may recall from a couple months back, somebody removed my Vespa from its rightful parking space and set it on the sidewalk. At the time, there was speculation on Johnny's behalf that it was just kids and pranks. I was skeptical because I know how cutthroat the matter of parking is in my complex. Anyway, fast forward to the other day. I came out to go to work in the morning and found this wedged under my seat:

    Dear Sir...

    Evidently, the guess that the mover was a parking-space-theiving fiend was not too far off base (especially humourous to me was the addition of 11:20pm, adding a note of late-evening frustration to the note). And this morning, as I was delivering a kindly missage explaining why I was perfectly justified in my use of the space, I noticed that someone had indeed moved poor little Bartleby from his rightful place of rest - this time he was perched upon the double lines that lay between spaces.

    *sigh*

    You may be wondering if there is any merit to the underscored CARPORT suggestion. In fact, there is not. The Monk (roommate, if you'll recall) returns from work before I do and parks in the carport sometimes. Now if The Monk is in the carport, I cannot be. Obviously. However, perhaps The Monk might park not in the carport, right? Leaving the carport parking task to me? Well, okay, but then there is still a non-carport space being usurped by *gasp* a vehicle. So really Mister Note-Writing-Vehicle-Mover, all you're saying is that you don't care that the space is being taken up - you just care that it's being taken up by something small. Well, don't take your anger out on me man.

    I just work here.

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    Tuesday, May 22, 2007

    Capsule Reviews

    Capsule Reviews


    Johnny Mad Dog

    Dongala crafts something that is in several ways important, even if its not great literature. Johnny Mad Dog is the tale of two teenagers participating in one of the seemingly perennial genocidal civil wars in Central Africa: one as aggressor and one as victim. The chapters alternate narrators between Johnny, the gun-toting kid who imagines himself an intellectual yet kills freely and without remorse and sees enemies everywhere, and Laokole, a girl caught in the midst of horror, fleeing with her legless mother and younger brother amongst the throng of terrified refugees. Johnny has a second-grade education and believes that true power comes from the barrel of a gun. Laokole is a week away from graduating at the top of her class in highschool with dreams of studying to become an engineer. The story plays out as the narrators live out concurrent events from wildly differing perspectives.

    The storytelling conceit is clever, but I'm not sure if it is just a poor translation, but there's rarely any life to the writing. The events themselves power the story, so I suppose that excellence in writing is unnecessary; but it would have been nice. Additionally, the book may have been more interesting had it sought to portray a more sympathetic individual as a member of the genocidal militia. With the sheer number involved in these killings, I'm skeptical that the entire aggressive force is constituted of morons (historically we see time and again people from everyday walks of life get caught up in national madness). The perspective of Johnny seems dismissive, as if Dongala believes education to truly be the solution - which seems a little naive to me.

    At the end of the day, it was a worthwhile read. But there are plenty of other worthwhile reads that I'd had preferred to read first.

    Rating:


    Korgi, vol. 1

    As Slade's book is entirely without words (save for the introductory page), it's a pretty quick read. But it's the kind that fills you with bubbles of joy. It may actually be the cutest thing I've ever read. Korgi, vol. 1 follows a single misadventure of Ivy and her little friend Sprout (one of the titular Korgis, a race of "fox-like" creatures). The characters have a sense of life and joy about them but the real pleasure is the Korgis themselves. The two-page spread featuring the hustle and bustle of Korgi Hollow (the central village of the story) is an absolute wonder as we see Korgis (which really just look like Welsh Corgis) of all shapes and sizes engaged in numerous tasks around town. I think my favourite was the one large enough to act as another character's noble steed. In reality, Korgi is just a pile of cute overload and while there is some story going on, we may have to wait for future volumes to note any real sense of development.

    Free trailer for Korgi courtesy of Top Shelf Comix

    Rating:


    The Clarence Principle

    While I'd never heard of either Fehed Said or Shari Chankhamma, Slave Labor Graphics (the book's publisher) has built up enough good will from me over the years that any time I see their label, I'll at least pick up a book of there's and browse through it to see if it looks worthwhile. The Clarence Principle held vague attraction to me. The art was rather Scott Pilgrim/manga-y with heavy washes of dark ink (kinda like what I remember seeing in Area 88 as a kid, but much heavier). The character designs were sleek and playful and the mood was thick. So I picked it up for a lean $12.95.

    Was it worth it? I should say so. It's rare that I come to the end of a book (comic or otherwise) and just lose my breath from being astounded. I sat there dumb-founded. It was a good sort of feeling - to not really know what to think. I think it's been a long time since I was surprised.

    So then, The Clarence Principle. It's about a guy, Clarence, who's just committed suicide in a tub for reasons that are ephemerally developed throughout the story. Clarence wakes up in some strange after-life with rules and a populace he pretty much takes in stride, depsite the horror of the whole thing. Clarence, at one point, compares his journey to Alice's through Wonderland. I too like using Alice in Wonderland as a comparitive and do so with many fictions (remember that I preferred to describe Spirited Away as Alice in Wonderland hopped up on meth). So you know how Alice in Wonderland is pretty dark? The Clarence Principle is like Alice in Wonderland... but dark. It's also morbidly humourous and kept me consistently chuckling at the macabre. Until the end, that is, when I clammed up entirely and tried to let the whole thing wash over me.

    Heh. "Tried." As if I had any choice.

    Free 31-page preview courtesy of 6 Killer Bunnies

    Rating:


    Gothic Sports

    This one didn't really grab me by the throat and demand my attention. I read the first chapter on TokyoPop's website and was intrigued enough to pick it up. I can't tell yet if this was a mistake. The series could be good, bad, or ugly. Or anywhere in between. Not enough happened to really draw me in. Two chapters of Yotsuba& and I'm addicted for life; a full volume of Gothic Sports and I'm quietly reserving judgment.

    There were things I liked and things I didn't. Some of the characters have potential and could draw out my interest. That's good. Panel design is lacking and its often frustratingly difficult to tell who is speaking in a given moment - frustrating enough to take me out of the story and make me investigate the panels for clues I may have missed. That's bad. The goth-uniforms are pretty hip looking. That's good. It's sometimes hard to tell supporting characters apart (or even whether they're male or female). That's bad.

    I don't know enough about the author to know whether she's established as a creator or if she's a relative newcomer (and hence giving me hope that her craft will vastly improve over the next few volumes - compare the first few volumes of Usagi Yojimbo to those crafted years later and the difference in craft is striking!). In any case, I'm willing to give the series another volume to get it together.

    Free 29-page preview courtesy of TokyoPop

    Rating:

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    Thursday, May 03, 2007

    When I Have My Own Band...

    Really now...

    ...We'll probably call our first album: Curing AIDS with Cancer.

    And the album art will probably have a crab doing battle with a condom. Or something.

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    Tuesday, May 01, 2007

    My Life's Soundtrack

    One of the memes that's been going around for the past whenever is that one where you set your iTunes/winAmp/Windows Media Player (?) to random and hit play. You write down the first seventeen songs to play, and in the order they came up in, you fill out the details of your life's soundtrack. I don't really put much stock into most memes and certainly not the ones that have you do random things like read the second sentence of the third paragraph on page forty-five of the book closest to you in a given moment.

    Now if you were to write a story based off of that sentence, that might be worthwhile to pursue.

    But really, the random stuff seems kind of boring. But with this particular one, I tried it and was struck with the serendipity of several of the choices. It may be one of those fortune cookie things where songs are generally vague enough to be suitable for a number of lives and circumstances. Be that as it may, I've done one better than just list the songs in the vain hope that they might mean something to people. No, I've decided to let you dip your ear into my life's soundtrack. The only caveat is that I have no idea how long it'll take for a song to load for you. It works fine from my desktop, but from what I've heard, loading times differ somewhat between straight from desktop and over the interthing. Whatever, if you're patient, it will come.

    Oh yeah, and if you want to do it yourself, here are the rules that I ripped from the guy Calvin Pitt got it from. (Calvin Pitt is the fellow who reminded me of this meme by participating in it himself.)

    1. Open your music library (iTunes, Winamp, Media Player, iPod, etc).
    2. Put it on shuffle.
    3. Press play.
    4. For every question, type the song that's playing.
    5. When you go to a new question, press the next button.
    6. Don't lie and try to pretend you're cool.

    And with that, my life's soundtrack:

    I'm pretty impressed that my iTunes knew how rad I think Amelie Poulain's life soundtrack is and allowed me to homage hers in my opening credits. I suppose I should put strawberries on my fingertips and take pictures of my nude self while I go through the gestative stages of pregnancy. You know, for solidarity's sake. The straight up fact of the matter is that I love this song and think it an entirely fitting intro to my life.


    The fact of the matter is: there will never be another me. For I am a unique and beatiful snowflake, Durden be damned. This also strikes me as a great choice. Scene: Morning. The bathroom. Our hero stares groggily into the mirror at himself. And begins to sing. Cue song.


    At this point there was supposed to be a song for 1st Day of School, but for some reason it was gumming up and I couldn't play it for you. In any case, that song was "Angry Situation" by Save Ferris.


    I think it's entirely appropriate that Starflyer 59 should be the song choice here - as I've always maintained that SF59 is that perfect kind of heavy, make-out music. Hm, maybe it would make a better track for the Sex Scene. But... this meme did not offer that choice, so Falling in Love it is.


    While I'm sure Ella Fitzgerald is probably the right choice for 1st Love Song, I wasn't really sure that "mellow" was any sort of realistic adjective to describe my first love. Still, if one reads a certain desperation into the lyrics, I think it really does work. "Everything's okay." *nervous shivers* "With this mellow song I can't go wrong." *crosses fingers*


    I've got to say that I'm pretty impressed with how well randomocity chooses soundtracks. This is better than some movies I've seen. Fiona Apple is exactly the right choice for break-up music. She's bitter, thoughtful, cynical, and uncertain. Wow, I say. Wow.


    Okay, so on the surface, They Might Be Giants is probably the last band you'd want to associate with a romantic evening of promming, driving the coast under cover of a full moon, and whatever sundry things kids do these days after prom *ahem*. But. For those of you who remember (and those of us who can't forget), some of us do not have the typical prom experience (see Part I, Part II, and Part III). And so something surreal and curious like "Whislting in the Dark" actually comes off as the a pretty solid choice to offer musical commentary on the gross mischeviousness of an evening of fear, trembling, and gnashing of teeth and other parts. Plus, to say that "I'm having a wonderful time - but I'd rather be whistling in the dark" is probably, in retrospect, the most applicable thing to be said for the whole thing.


    I knew my ill-fated expiriment in buying an industrial (?) disc would finally bear fruit after more than fifteen years. It's true. Argyle Park almost gave me a mental breakdown when I realize both a) I had purchased this cd at some point and b) it's in my iTunes.


    And here, under the category of Driving, is another song that couldn't make the cut, Joy Flying's "In the Midnight."


    Hearing this song brings me flashbacks, so I suppose it's pretty fitting. Throwing Copper, you were a good friend for that summer. Thanks for the times. At least this wasn't the one about placentas.


    Huh. Bummer. I wish this was "Woah! She rocks in my bed!" But it's not. Lumpy and bumpy.


    I really don't know what to think of this one. The lyrics supposedly translate out to:

    when the things of the heart
    just can't understand
    what the mind doesn't question
    and doesn't have the strength to follow
    how many dreams i already destroyed
    and let slip out of my hands
    and if the future this permits
    i won't live in "vao"?
    my love we aren't alone
    there is a world waiting for us
    from the infinite blue sky
    there can be life on mars
    so come here
    give me your tongue
    so come
    i want to hold you
    your power comes from the sun
    my measure
    so come
    let's live life
    so come
    or else i'm going to lose who i am
    i'm going to want to change
    for a life on mars

    I do know that any song combining "give me your tongue" and "your power comes from the sun" are pretty rad for a wedding song. I just don't know if they're rad for my wedding song.


    Not only is this great because it actually mentions a little girl (unless I give birth to a son), but it basically foreshadows how trying a time she'll have living under the Curse. My feeling is: best to get that out of the way up front. No pussyfooting around, y'know? Mope when you're too young to really know how to mope. get it out of your system.


    Hm, it seems that my final battle will be a romantic conquest. I'm not saying I mind, really. But it's kind of sad that that battle ultimately leads me to my inevitible death in the next scene...


    I can honestly tell you that had any other song come up here, I probably wouldn't have been tempted to display my glorious life's soundtrack for you. I can't get over how perfectly incredible it is that this is the song that plays over my death scene. Yes! And yes.

    p.s. The Coult. Never forget.


    At first I was kinda bummed that a slightly dorky song from my youth (besides "Agony") wormed its way into the soundtrack, but as ham-fisted as the lyrics are, the sentiment is both accurate and a little eerie (since it's describing how life can be wonderful while untold thousands mourn at my funeral). All in all, a nice juxtaposition - as it's generally at funerals that people become particularly introspective and concerned with their mortality.


    I guess there really is no better time to say that you were wrong than after one has shuffled off this mortal coil(ed up snake ready to pounce! pounce? do snakes pounce? awesome!).


    Special notes: 1) I did not cheat (as Argyle Park should attest. 2) I shuffled randomly between nearly 4000 songs loaded onto my iTunes at the office.

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